The Advent of Procedural Music continues.
Today’s entry in the cavalcade is a gypsy/manouche swing quartet, and I think they must be real musicians - I heard them doing some tritone substitutions! (whatever the hell those are)
I think this one may have turned out the best of the bunch so far, but that could be because gypsy jazz is near to my heart. I’d like to revisit this one later, to add one more layer of abstraction such that the lead guitar knows how to comp while the bass player takes a solo, or the two can trade eights, or such.
As always: bugs, comments, etc. to @fenomas. Thanks!